Brenton
Brechtian Theatre
November 15th 2007 12:11
Brecht.
Bertolt Brecht was a famous an incredibly influential dramatist and stage director of the early 1900’s. His styles was strongly influential, and can be best seen in his own well known play ‘The Caucasian Chalk Circle and in the film Dogville.
CAUCASIAN CHALK CIRCLE.
DOGWOOD (SPOILERS)
Brecht’s unique style is known as Brechtian theatre. One of the main ideas of the genre was that the Audience could not be separated from the subject of theatre through the illusion of the fourth wall. This was known as Verfremdungseffect, and was used to, in the words of Brecht, “prevent(s) the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer."
This could be achieved in many ways. Sometimes the cast would ‘spontaneously’ burst into song. The events of a scene would be described before the scene began to avoid allowing the audience to get involved in wondering what would happen. Actors would break the fourth wall by addressing the audience directly, using Didacticism. These elements combined would help create an emotional separation that instead encouraged audiences to use their minds to truly interact with the message of a piece.
Bertolt Brecht was a famous an incredibly influential dramatist and stage director of the early 1900’s. His styles was strongly influential, and can be best seen in his own well known play ‘The Caucasian Chalk Circle and in the film Dogville.
CAUCASIAN CHALK CIRCLE.
DOGWOOD (SPOILERS)
Brecht’s unique style is known as Brechtian theatre. One of the main ideas of the genre was that the Audience could not be separated from the subject of theatre through the illusion of the fourth wall. This was known as Verfremdungseffect, and was used to, in the words of Brecht, “prevent(s) the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer."
This could be achieved in many ways. Sometimes the cast would ‘spontaneously’ burst into song. The events of a scene would be described before the scene began to avoid allowing the audience to get involved in wondering what would happen. Actors would break the fourth wall by addressing the audience directly, using Didacticism. These elements combined would help create an emotional separation that instead encouraged audiences to use their minds to truly interact with the message of a piece.
| 59 |
| Vote |
Add To: 
subscribe to this blog
Activist Links: (Request one)
Vitamins are criminal?
Just say Know
Could Corporate Interests Destroy The Internet as we Know it?
Comment by HangOnAMinute...
The theatre of Brecht was called Epic theatre. Brechtian theatre was different. Brechtians were admirers of Brecht and created their own work. Brechtian theatre is theatre which follows some conventions and ideas that Brecht follows, and takes aspects from epic theatre. Brecht's unique style is something you cannot label due to the diversity it had from show to show, however, the theatre of Brecht can be labelled as Epic theatre, something un-evolved from the work of Brecht. Brechtian theatre is ever changing and is influenced by and created by the followers of Brecht. If Brecht's style was called Brechtian theatre, that would be a rather convenient coincidence.